LaMecca Bostwick 3/22/26 LaMecca Bostwick 3/22/26

Swimming in Bliss

$1300

Mixed Media (Primarily Watercolor)

24 x 30 inches Gallery Wrapped Canvas

Inspired by my time in the Coast Guard, traveling to the North and South Poles. Penguins and whales were always one of my favorite and most adorable sites to see.

LaMecca Bostwick 3/22/26 LaMecca Bostwick 3/22/26

Down South

$1300

Mixed Media (Primarily Watercolor)

24 x 30 inches Gallery Wrapped Canvas

Inspired by my time in the Coast Guard, traveling to the North and South Poles. Penguins and whales were always one of my favorite and most adorable sites to see.

Miriam English 3/22/26 Miriam English 3/22/26

Hope For a Better Future

$1316

Mix Media (Acrylics and oils)

36” x 36”

This painting reflects the trauma that immigration detention centers have on families and children. The gray buildings represent confinement and the systems that separate families. The butterflies symbolize migration, freedom, and hope. Liam Conejo Ramos was only one of many children still affected by detention centers.

If sold, all funds will be donated to Laresistencia.org.

Sunyoung Kwon 3/17/26 Sunyoung Kwon 3/17/26

Where branches remember

$1900

Charcoal pencils on paper

45” x 32”

This artwork is one of three connected images in a continuous series. The charcoal drawings are created across three separate sheets of paper, each carrying its own layer of storytelling while forming a unified narrative. The first drawing, The Distance Between Seeing and Knowing, contains my self-portrait. While the viewer looks at the artwork, I—as the artist—am hidden within the image and quietly confront the viewer from inside the frame. It reflects the subtle tension between observation and understanding.

In the second connected piece, Where Branches Remember, densely layered branches overlap and intertwine across the surface. Within this intricate tangle, small birds sit quietly among the branches. The eye from the first image—representing the artist’s hidden self-portrait—transforms into the form of a bird. In this way, the artist who was concealed in the first drawing reappears, now embodied as a bird, emerging from within the image and revealing itself to the viewer.

The third drawing, Branches Becoming Memory, gradually reduces the presence of the branches. Instead, eye-like forms dissolve into droplet-like shapes, while a flock of birds flies into the distance. The increasing empty space within the composition emphasizes a sense of departure and fading presence.This charcoal drawing series highlights the contrast between dense layered patterns and intentional negative space. Through metaphorical imagery—self-portrait/eye, branches, and birds—the works explore visibility, transformation, and the quiet transition from presence to memory.

Jeanne K Simmons 3/17/26 Jeanne K Simmons 3/17/26

Kreea

$1800

Digital photography

5.5'h x 3.5'w x .5'd

Large digital photograph printed on aluminum, of a woman sitting amidst the roots of a tree.

Jeanne K Simmons 3/17/26 Jeanne K Simmons 3/17/26

Self-Portrait with Gloves

$1800

Digital photography

5.5'h x 3.5'w x .5'd

Large digital photograph printed on aluminum, of a woman in the woods wearing branchy gloves.

Kate Jones 3/17/26 Kate Jones 3/17/26

Mineral Bloom

$450

Acrylic on paper

16”x20” Silver metallic frame

Brown, Blue and purples clustered together

Kate Jones 3/17/26 Kate Jones 3/17/26

Pink Noise

$450

Acrylic on archival paper

16”x20” Silver metallic frame

Shades of red create noise with each other

LaMecca Bostwick 3/17/26 LaMecca Bostwick 3/17/26

Carousel Horse

$750

Gouache and Oil Paint

21 x 14 x 1 inches

While working as a face painter at the Woodland Park Zoo, I'd get to watch families joyfully experiencing that magical space. There was something about the warm lights, antiqued horses and the playful energy in the air whenever families "galloped" around the carousel. The feeling of nostalgia and simplicity stayed with me so much so that I was compelled to create a little magic of my own. This painting was created on a refurbished solid wood cabinet door that I sourced from The Seattle Recreative. I kept the original hardware so that the purchaser can have options on how they'd like to display this piece in their home. I hope that it brings as much joy to others as creating this piece gave to me.

LaMecca Bostwick 3/17/26 LaMecca Bostwick 3/17/26

We Dance Together

$350

Gouache and Oil Paint

12 × 18 inches

This is an unframed, mixed median painting on wood panel. My homage to the first Asian American and Afro American principal dancers at the PNW ballet. I saw them on the cover of a magazine advertising The Nutcracker. I was excited and inspired by seeing such beauty and diversity being showcased in a way that I was never exposed to as a child. The paint was applied in a light, painterly fashion to evoke whimsy and give the completed piece a dreamy effect.

LaMecca Bostwick 3/3/26 LaMecca Bostwick 3/3/26

Le Fluer #1

$1200

Mixed Media

16 × 20.34 inches

I'm attracted to complex layers, vibrant colors and abstraction. This piece is full of texture and unique composition. Florals are always a source of calm and a catalyst to grounding myself. The purpose of this painting for the viewer to invoke curiosity, intrigue and a since of calm. The twine and kraft paper vase is meant to center the composition ands provides an anchor point for the eyes to rest on as the viewer takes in the art and begins to feel at ease.

LaMecca Bostwick 3/3/26 LaMecca Bostwick 3/3/26

A Sailors Memories

$2200

Acrylic on wood panel

45 × 76 inches

This painting is an abstracted version of my dreams and memories from my time serving as an arctic sailor in the Coast Guard during the 90's. I traveled to the North and South pole on the Coast Guard Cutter Polar Sea. The blues used represent the uniform I wore and the open sea, there are bits and pieces of the crane, the small boat, some of the small islands that we past, the port side walkway on the outside of the boat. It's the feeling of cold air on my face, the warmth from the forever sunrise and the calm that comes from experiencing the beauty of the varied ice floes that the shipped passed. If you look to the center and top/bottom corners, you can see the inference of a camera viewpoint guide. I carried a camera everywhere we sailed during my time in the Coast Guard. This painting is all of those fond feelings offered to the world on canvas.

LaMecca Bostwick 3/3/26 LaMecca Bostwick 3/3/26

Bejeweled Beauty

$1200

Mixed Media

16 × 20.34 inches

This is an bejeweled profile of a poised Black woman adorned with an affix gold headpiece. Painted with three layers of translucent paper painted with gold metallic paint. The profile several thin layers of oil paint and lastly to give the piece a slightly formal Old World appearance ornamental wooden molds were painted and affixed to the four corners for the perfect touch of elegance.